Hard to believe that pre-production for what would become MOOD SWINGS happened way back in the freezing winter this year. Snow and sub-zero temperatures usually bum me out but when music is being brought to reality, there’s no time for feeling bogged down.

Equally hard to fathom is that the album is almost in my hands, which means it will almost be in yours as well. Pre-orders have been coming in nicely, a few at a time, so I feel vindicated. Am I still allowed to be excited at my age? Shouldn’t I feel like this is old hat, run of the mill, “been there done that”?

I guess not.

I still feel that rush of adrenalin when I arrange the order of the songs, compile artwork and see the results come to fruition. And even more heart-racing is sending the results to get everything pressed and packaged. Seeing the box on my front door step will always be a huge thrill, like a kid at Xmas. Nice to know the passion is still there.

Feedback for the first single “Never Be The Sane” has been nothing short of amazing. Apparently this song resonated with so many people, and that’s the key. Connection is what makes music come alive. Even cooler is that people dig the video. Yes it’s trippy, wacky, and fun. Making the video was equally as cool as making the album. Being creative is the best feeling.

And since people ask “When’s the release date”, I don’t want to give a definite answer. Yet, I think maybe possibly kinda sorta August 25th sounds like a nice round number. Who knows? So for now, you can lightly pencil in that date.

So there’s still time to take advantage of getting the free download of MOOD SWINGS while you wait for your signed hard copy. After the official release date, the free offer goes away. One thing that will never go away: I will still sign every single copy sold. Period. You can pre-order through this link:

MOOD SWINGS

Also after the release date is announced, I will have my distributor put the album on Spotify, iTunes, Amazon, etc. I will also put it on Bandcamp. No matter where you get the music, just get it!

Dig yourselves!

The single “Never Be The Sane” has been out for a week and it’s generating some amazing results. Very positive feedback, everyone loving the energy of the song to the trippy video. I think I finally created something that resonated with people!

Whodathunkit?!

Pre-orders have been coming in very nice too. As of last night, there are 20 pre-orders ready to rock. But first, the rest of the album has to be mastered and then the cd artwork layout taken care of. Maybe my memory is getting fuzzy as I get older, but I cannot recall any of my cds generating this much attention. Maybe GO BERZERK! which was released in 2011 (so now 10 years later, history may repeat?)

The song is on the MUSIC page here as well as my Soundcloud and Reverbnation pages. I have not released it on Spotify or other streaming platforms as I want the whole album done and then I will have my distributor share the love.

My 8th album…

Whodathunkit?

“Never Be The Sane” has been out since Friday July 16th.I t’s already been on two internet stations (Metal Euphoria in NY, and Radio TFSC in Germany) as well as over 50 shares on Facebook, a few on Twitter, and a write-up on Brave Words.

Something clicked?!

Jon Hanemann called me yesterday morning and said “There’s an honesty to the music that’s connecting with people.” And he’s absolutely right. I’ve never written any song that was contrived or self-aware, was always as pure as possible. But something about “Never” really resonated with people in such a short time frame. I think the only other time this happened maybe was when “Surfing To Venus” from GO BERZERK! was released in 2011. So here it is 10 years later…is history repeating itself?

One never knows.

Pre-orders have been coming in nicely too; so far I’ve received eleven since yesterday afternoon when I posted on social media about it. Looks like I am back to wearing 14 hats after almost three years of inactivity. As for live shows, people are asking me “Are you going back out?”

One never knows…

For now, I am enjoying the attention the song is getting. Good enough for me!

Yes, after three years of writing, re-writing, tossing songs out, pulling them out of the trash, blah blah blah…

The first single from my upcoming 8th album MOOD SWINGS is out as of today, Friday July 16th at 8am on YouTube! It’s called “Never Be The Sane” and you can find it here: https://www.youtube.com/watch?v=7oO779Pfa_g

Of course I will post it on the VIDEOS page here as well as plaster it all over social media. As you know, I played all the guitars and bass on it, Michael Sabatini (of Attacker) played drums, engineered and mixed the album. Jon Hanemann, along with Michael and myself, produced it. Mastering is being done by Joe Lambert. When we heard the mastered track, we all agreed that it was pretty huge sounding. You will agree too.

The concept for this video is simple: I chose very wild images ranging from psychedelic to 80s-inspired, as well as other surprises. I had a different idea for the video originally but felt it would have been too time-consuming. This video took two hours for me to piece together, so enjoy!

Still no release date for the full album but safe to say Fall 2021 is a good start.

PRE-ORDER the new album by going to the WHAT’S IN STORE page on this site. Each hard copy will be personally signed. More details in the description next to the album cover. Thanks!!

Mixing for album #8 is DONE!! Mike sent the last two songs for my feedback and approval. I am genuinely pleased with his engineering skills, and of course his drumming too!

So what’s next?

Onto mastering, which is a bit tough to describe. I can say that when a cd is mastered properly, the clarity can be really stunning. Some sound like they are under a bowl of Jell-O, but we are going to make sure this album will sound almost three-dimensional.

And then what?

I have to release the first single! I do not have a release date for the album, and for once it feels good not to apply pressure on myself. Why should I? I’m an independent artist, not chained to a record label where things have to be done yesterday. I would like to get the single (and possible video?) out before the summer is over. If the album comes out in September/October as I keep saying, then great.

We’re getting closer, people…

As the heading states, mixdown for album #8 has begun. I got to hear one song so far this past Friday.

In an interesting way.

Saw Mike at Dingbatz, as we were seeing a friend’s band perform. Mike pulled me outside and said “I want to play something for you.” He pulled up the first song on the album (which might be the first single) and I was blown away by the clarity. And here’s the interesting part: I heard the song on his phone! Yes, a tiny speaker! Every detail, every nuance could be heard. The pick scrapes, the bass fills, the powerful snare sound…you name it. How could this be!?

Mike said “If it sounds good on this phone, it will sound really good everywhere else.” It’s typical of engineers to mix a song and listen back through expensive monitors and top-of-the-line car stereo systems. But nowadays, everyone listens to music on their phones, so if it sounds like a compressed pile of manure on a small speaker, it won’t translate well anywhere else.

At the show, people asked me two things: “When’s the album coming out?” and “Are you playing live again?” First answer: not sure. Second answer: no. It is nice to see interest in the music, but at this point, I really don’t have a release date. And while I enjoy being on stage, I don’t miss the nonsense such as selling tickets, putting together another line-up, promoting and stressing, all for 30 minutes of perceived glory. Sorry but in my mind, it’s not worth it anymore. I will gladly promote the new album on radio stations and in magazines/webzines. Outside of that, live shows are in my rear view mirror.

Besides, Linus likes me hanging home more 🙂

THE ALBUM IS DONE!!

Rehearsals were from February 21 to May 16. Recording started May 21 and ended this afternoon on June 18. Aside from one or two weeks that we skipped, this was full speed ahead to get the music moving.

All the solos were laid down over the course of two or three hours. Once we dialed in the proper tones, that was it. The solos were being peeled off one by one. Some hiccups here and there, but overall we are all way more satisfied with the results. But when I thought we were done…

Mike said “Let’s add two more rhythm guitar tracks to fatten things up.” I admit that at first I was like “Ummm…okay” but am glad we did it. I got to use the blue Ibanez 7 and it sounded amazing, even with the stock pickups. Banged the parts out in about four hours. And when the last notes were plucked…

We all said “We’re done!”

But there’s still mixing, mastering, artwork and the like to take care of. As of now, we are just thrilled that the music is laid down, and we can move forward.

Thanks to Mike and Jon for their hard work, patience, expertise, and long talks about metal music. And thanks to Cathy Beck for letting me use her 5-string bass for the album.

Man, am I shot…

I am home this weekend, which is strange. My car is confused, was waiting to be driven to the studio in Jersey City as it’s been since February 21. This is a rare weekend away from recording. I am taking full advantage of the time away.

But I really set the bar impossibly high for myself!

Last weekend we burned through doing bass tracks and guitar melodies. So my ego said “You can knock out solos in one day like you always do!” But my hands said otherwise. I was simply burned out. Mike said “Work on your solos at home and then let’s try in two weeks.” I’ve been doing just that. But one question loomed in my brain: “How did I play solos so quickly in the past and now I can’t?”

I listened back to my past albums, which I rarely do, to hear what I did that I can’t do now. I rehearsed with full trios for the most part, so I got to work out ideas beforehand. When I would record, I was a bit more prepared. Only two albums had me winging solos on the fly: TWISTED METAL and LAYERS OF TIME. Both times those were not with trios; TWISTED was myself and drummer Darren Patrick. LAYERS was all me, even doing drum programs. So when it came time for solos, I went for broke and somehow landed on my feet. This time was a different ballgame.

I sat here with the first song on the new album, tried something I’d never done before. Normally I would start high up on the neck, but this time I decided to start low. From there, the ideas came flowing. Maybe I had to re-invent some aspects of my playing? Whatever the case, I told Mike in a message that I am finding new ways to come up with soloing strategies. He said the time away will help and he’s right.

I’m not out of the woods yet. Each song has its own flavor, and I can’t play the same things each time. I wish I had an endless supply of licks like Jeff Beck, Steve Vai or Allan Holdwsorth…but I’m Steve Bello and I have to do the job myself.

So next Friday will be the return to the studio. Still feels weird not going anywhere today. What will happen once the album is done?

My body might atrophy!!

Get your scorecards out…

All the bass tracks were done on Friday in ONE DAY. Yes, I thought that would take the longest but somehow after eating a killer burger at Miss America Diner, my energy level spiked up and it was off to the races. For the first time, I used a Kemper amp, and Mike had it set for “Orange Bass”, through an Eden cabinet. Jon hooked up a Tech 21 Steve Harris pedal (I needed a monitor to put my foot on) and Dark Glass pedal to the Kemper and WOW! For a not-really bass player like myself, this was the best tone I ever heard!! I used a pick for most of the album to keep things consistent but I did some slap/pop on one song because it needed it. Bootsy Collins won’t lose sleep over me, that’s for sure.

On Saturday, we got all the guitar melodies down. Slow start but then again, things ramped up. Jon asked me to add some harmonies to a few parts and that helped. I wrote a REALLY strange melody for one of the songs and added a funky effect to it.

So far so good, right?

Today I attempted solos. Notice I said “attempted”. I think exhaustion caught up to me and my fingers were not cooperating. Nothing I played sounded or felt good, so Mike said “Go home, get some rest, let’s try again in a week or two.” Good move. I suggested two weeks so that I wouldn’t have to jumble up my lesson schedule. I wasn’t as prepared for the solos as I thought. First time that ever happened to me. Maybe Mike is right, things change, so I need to re-invent some ideas, who knows?

And there you have it. The album is 3/4 of the way done.

I’m done too, for two weeks…

The weather went from hot and humid a few days ago, to March-like temperatures. I went from wearing shorts and t-shirt, to flannel shirt and jeans.

Oh the humanity!

But all the rhythm guitar parts are done as of tonight (May 29). Eight songs, each one with two tracks of heavy guitar (and a few clean tones too!) Started work on them yesterday, got three songs taken care of before the monsoon hit. The remaining five songs were laid down, and the stuff’s really coming together. Mike Sabatini and Jon Hanemann have been super-helpful with getting the best guitar sounds and takes possible. When I see Jon get up and stick his ear in the speaker, I know I’m in trouble HA! Overall, I am very satisfied with the results, but now the real fun begins…

Bass parts!?

I have some nice ideas but will definitely need a lot of guidance (and I hope Mike and Jon have a lot of patience!) My friend Cathy Beck was gracious enough to let me borrow her 5-string bass for the recording and I keep forgetting how physically demanding this thing is. I am hoping Billy Sheehan’s fingers come through the bass neck.

But that would be really weird, right?

Looks like next weekend we will focus on getting the bass lines down. For now, I am thrilled we are halfway there with the recording. Drums DONE! Rhythm guitars DONE!

I’m DONE too! Nap time…