WHO? ME?

I should be getting these cables very soon!

Last Saturday I attended Metalfest 10 in Teaneck NJ at Debonair Music Hall. I had a good time, nice to see old friends, meet new ones, hear some pummeling heavy music and enjoy a kick-ass burger. But two questions kept coming up while I was hanging around…

“Doing any new music?”

“Playing Metalfest next year?”

Who…me?

Strange…there hasn’t been interest in anything I have done in a long time. Maybe people miss me. Maybe they are bored. I don’t know. So let me get two things out of the way.

Am I doing any new music? Yes…and no. I have been writing music and recording demos since 2023. It’s a seemingly never-ending process. I like something, then don’t. Then dig it up out of the garbage and like it again. Or sometimes I hit “delete” and off into the ether it goes. Out of possibly 45-50 demos, I have maybe 10-11 that I’m content with. For now.

I was never one to say “I have eight songs” and that’s it. I’m always writing, re-writing, searching for new things. I might learn a new chord and think “I have to use this in a sentence.” Or I try a funky effect and a simple E chord sounds much cooler now. I feed off inspiration. Not one to go through the motions and write what people think I need to write. There’s plenty of bands painting by numbers.

For me personally, music should be about freedom of expression. Whether I write something really heavy or something tender, it’s genuine. Period. When I come across people who think they know my vision, they’re barking up the wrong tree. I can take direction but not dictation. Perhaps the best thing for me to do if/when I do my 10th album is be like Prince and do everything. I already did that with LAYERS OF TIME back in 2015 (ten years already!?) so I can do it again. Tedious, yes. But it’s my vision and will see it through.

As for live gigs, as I’ve often stated, the last time I played my own songs on stage was at Metalfest 7 back on July 9, 2022. That will go down as one of my top five personal best shows ever. Once I walked off stage that day, I told myself “You can stop trying now.” Three years later, people still talk about that performance. Why? Because it was different, unique, and challenging. Which is the curse and the blessing.

My fear is if I play Metalfest 11 next year, will it be as good as the show I did in 2022? If I bomb, then I have to live with that and try to over-correct it with another gig. I raised the bar so high that day, that even I might have a hard time jumping over it. Is it worth the risk? Ronnie James Dio said years ago that playing live means putting your ass on the line. I am more relaxed, no need to impress anyone anymore.

But having people ask me about new music and playing a gig…interesting to my jaded outdated ears. Do people really want stuff from me? Or are they just blowing smoke up my ass?

I welcome your thoughts.

MANIFEST! MANIFEST! MANIFEST!

Haven’t played in NY since I can’t remember when…

The title of this blog definitely makes its point, doesn’t it? As we have always heard, “If you don’t ask, the answer is always no.”

I asked and the universe listened.

After the Blame It On The Girl gig last weekend, I blurted out (in my car) “I’d like another gig before August!” And well, the universe or some musical god happened to be in a good mood and helped me out…

Enter my friend Bob Lamb, all-purpose bassist who can fill in with any band in seconds flat. I am not kidding. He knows a ton of songs, so he will always be first pick to sub. We’ve known each other for many years, since the MySpace days (!) He and I played together two years ago in Tammy & The Others. This time we’re teaming up again with the band CRASH!

Bob wrote me on Monday with “Aidan (Hand; singer) needs a guitarist for a July 11 gig in Nanuet. Can you do it?” I said “Yes for sure, are you on bass?” and he said YEP! The drummer is Ed Gunderman. We lobbied set lists back and forth, and since we’re only playing one 90-minute set, it will be most likely 30-34 songs.

And the gig is 20 minutes from my house 🙂

The gig is at Nanuet Town Centre, a mall in New York. This is part of the Summer Concert Series starting July 11 to August 15; a different band every Friday. I am excited because it will be outdoors, hopefully a nice-sized stage with a rockin’ PA system. The song choices haven’t been finalized but am sure they will include the tried-and-true ones that virtually every cover band does. Which is fine with me as I know a majority of the tunes. If I have to learn a few new ones, so be it!

There’s no “Free Bird”, sorry.

I’d seen CRASH! before at Rhodes Tavern when my friends James Bruno (Rock Hard) filled in on drums and Tony Buono (Supernova) on bass. Think at that show, they covered Zeppelin, Aerosmith, Tom Petty, Lit, Jimmy Eat World, and the like. So I know what to expect with this gig.

Take it from me…the more you manifest, the better your chances of getting nice things.

I like nice things.

IF YOU’RE GONNA BOOK A ROCK BAND…

A pic with all five in the same shot!

If you’re gonna book a rock band…don’t expect Peter Paul & Mary, okay?

When you’re competing with a very live-sounding room as well as glass and other variables, the sound will bounce all around. This is physics 101. Blame It On The Girl was supposed to play outside but it was considered “too hot” so things were moved inside but not totally. Yes the bay door was open, there was a nice breeze flowing, but seeing people cover their ears and then being told “You’re too piercingly loud, cut it in half” is not the most inspiring thing to hear.

I simply will never understand what people want when seeing and hearing loud rock music. Granted, some acts are purposely too loud, going for Manowar-like levels which is silly. Ah well…onto the good stuff.

This was my first sub gig with BIOTG and it was a lot of fun. Parking sucked though! I forgot how difficult it was to find a spot in Jersey City, especially the Heights. I was lucky to find a space half a block away. Got my exercise! Once inside, we set up shop, and started going through the songs. Yes I loused some things but in the past I would have thrown a fit. Now I laugh it off. I simply stopped caring what people think of me, at least musically. I held my own, played the songs as best as possible, and nobody in the band complained. So I did something right.

I tell you what, “Jolene” is a BITCH to play but once I got it going, it was fine. Definitely one of the hardest songs I ever learned, next to “Sultans Of Swing”. I am not kidding. And…gulp…I had to use a capo for the very first time ever live. My grandfather used to say “Capos are for sissies” and I learned not to like them. But some songs that I teach need a capo, so one of my students got one for me last Christmas. And now I had to use it for “Jolene”, and yes it was a relief of my fretting hand. But I can picture my grandfather up there saying “Oh no” LOL! (It was only the one tune!)

Other tunes I played for the first time ranged from “Pink Pony Club” (you read that right), “Raise Your Glass”, to “Locked Out Of Heaven”, “Home Sweet Home” and “Ring Of Fire”. Many I was quite familiar with but didn’t rely on my memory. I re-learned the parts to be safe. Even my own aging brain can betray me at times.

It was a good first time sub gig for me, and if more happen, then I will be more prepared. I think back to my first gig with Supernova back in December 2022 (!) and every show since then has been better and better. All about finding the groove and locking in.

I need a nap now.

YA GOTTA BE KIDDIN’ ME!

I learn to believe nothing after a while…

If this happened to me a few years ago, I would have jumped out of my skin. But over time, I learned not to believe a lot of things, even if I have a ton of evidence. All I could think when I opened my email last night was…

Ya gotta be kiddin’ me?!

I doubt very strongly that 1000 people follow me. Some are most likely bots, as to be expected. But one thing’s certain: I have never ever paid for likes or follow anywhere on any social platform. You can tell the ones that do that, it’s really easy. My fan base (if I have one) has always been organic. Slow, yes. But the real deal. I’ve read the stories about bands losing their accounts because of being caught buying likes.

I can’t even recall when I signed up for Spotify. Maybe I can look to see if there’s a date that shows it. Even so, who cares? If at least half of the follows are genuine, fine with me. I earned them. Not like my music was ever meant to set the world on fire but I think I created a tiny spark here and there.

It’s funny that the bottom of the post says “people now awaiting your next release”.

Keep waiting.

I’m in no rush whatsoever to do anything.

WORDS THAT STILL ECHO…

Pic was a mistake but still a keeper

Many years ago, in a (empty) galaxy far far away, I worked at a music store. Sold guitars, amps, pedals. Was stressful but could be fun just the same. In the guitar department was a gentleman named James who always seemed to have wise words for me when I was struggling to be recognized and respected as a guitarist. His words still echo in my mind some 20-odd years later.

Yet I forgot what I had for breakfast?!

I used to make instrumental demo tapes in the hopes that a big band would hear me and put me on the road to fame and fortune. James heard one of my demos and said “You are like a painter. You admire your work, then move on. I can see you playing jazz in the future.” Well he was 3/4 correct! My playing definitely took on more of a jazz element while still being metal…my version of it, at least. But yes, he was right about being like a painter. What did he mean? Let me explain in my own twisted way:

Some musicians are happy knowing what they know, and that’s it. They are satisfied, immovable, and impressed with being ignorant at times. I always strived to do better, find more tones, more chords, but in the grand scheme of things, some cats really doesn’t care how much you know, only about who you know. I will get grief for this but a lot of musicians are clueless. They really don’t know what they want or why they are playing, aside from fitting in a specific genre/clique and pretending they are a vital force in the local scene.

The painter analogy does not factor in with a few players. Granted, I may sound like this is a generalization and it’s not meant to be this way. However, when others are into looking/sounding/acting the same, I veered off somewhere else. I added more colors to my sonic palette, while some like just a couple of hues. Am I better than others? You be the judge here. But I prefer to push forward, and if it means adding neon green to where it doesn’t belong, so be it.

When I signed my deal with Ibanez guitars in 2003, James had this to say: “Wow, you didn’t have to slit anyone’s throat to get ahead. You did it with integrity.” Oh he was so right about that. I was the last person to think “Oh I can get an endorsement with Ibanez”, was just happy to be playing their guitars for many years. I got my deal in a very strange way: I saw Chris Broderick, then of Jag Panzer, playing an Ibanez RG7 and struck up a conversation. I called my then-rep Angelo and he got me in touch with then-head honcho Rob Nishida in California. Chris became an Ibanez artist (moved onto Jackson some time later) and…then I got a deal?! Rob said “You are one of the most selfless people I ever talked to” and “Pick a guitar you like, and once you receive it, you’re in.” I’m in?! WHAT?! Even without a record deal or any degree of clout?!

James told me that when Angelo made the announcement about my signing, the room was very divided. I’ll spare you the horrible stuff, but safe to say you learn who your friends are real fast. Or in this case, who never liked you to begin with. But James, ever gifted with the right words, said to me “I told Angelo that I’m very happy for you” and could tell he meant it.

Why am I talking about these things that happened back in the days of yore? Simple: I looked at how far I’ve come since the days of trying to carve a name for myself. I’ve done pretty well, all things considered. Some will still try to diminish my worth, but that’s only because they are aimless and only play music to gain certain perks. I always wanted the music to shine, and to speak for itself. I always marched to my own drummer, learned to color outside the lines. Yes, I wanted to a leather-clad heavy metal guitar god. It simply wasn’t in the cards for me, and I learned to accept that.

Plus all that leather gets hot REAL fast!!!

I’m halfway to 56 years old and proud of that. Proud of what I’ve accomplished over the years. Nine albums, many endorsements, played with legends…not bad for a skinny kid from North Arlington, NJ, huh?

Nope, not bad at all…

NEEDS TO BE SAID…

Finally!

I came across a video by a guy named James Michael, completely unaware that he was the singer in the band Sixx A.M. (Sorry but they never factored on my musical radar at all!) But his podcasts were a breadth of wisdom and insight that needed to be said.

Here’s one of his many videos: James Michael This one made me go down the cliched rabbit hole.

I won’t spoil anything for you, but just know that what he says are hard facts, cold truths, and it’s coming from someone who dug through the trenches of the con job that is the music industry.

Why am I talking about this? Because local bands need to hear these things! Chances are they won’t listen. I wouldn’t have been ready to listen either a few years ago. Just being honest there. But time and certain people have a funny way of waking your sorry ass up.

Mine was smacked hard.

Will I stop being creative? No. But will I lay down more boundaries when it comes to my vision? Absolutely. One thing James talks about in another video is the “dark side to songwriting”. I won’t go into detail there, you can scope the clip yourself if you wish. My take is this: nobody cares about your music unless they can worm their way in for even the tiniest credit. All about being seen and heard, no matter the cost. ‘I added that D note! I get a credit!”

Slow down there, Sparky.

These past five years for me have been some of the heaviest in terms of soul-searching, facing hard realities, learning sad truths, and really knowing what people (musicians or not) truly think of me. All of it was eye-opening and eye-watering. I can’t recall a time before 2020 when I was this hard-pressed to reach into my blackened soul and uncover things that laid dormant.

Solitude became my friend without me asking.

The point of this blog is that I hope at least one local musician checks the podcast out. They might shrug and say “Ah, Bello, you’re just bitter because you never got to be a guitar god.” Yeah you’re right but I’m also trying to save someone from the bitterness that I’ve acquired over time. I see a lot of clueless bands, acting like it’s still 1984 and they live in their mom’s garage. “Our band’s gonna MAKE IT, dude!”

You’re my age or older, dude!

I would never deter anyone from trying to get somewhere. Being a musician is hard enough, but the other external factors that compound things make it REALLY difficult to get ahead. It’s not the 80s where you had no internet, no Bandcamp or YouTube. You relied on word-of-mouth, and your band actually had to be GOOD to get attention. Now, forget it. Social media has made it damn near impossible for anyone to get noticed. You have to wade through a lot of dirt to find a diamond.

To put things in perspective: a bass player friend of mine in California said to me a while back that she clicked on my link for the MOOD SWINGS album. Told me that she didn’t expect much because “how good could this be?” but she was surprised that it was enjoyable. Her point was that local bands really don’t have much to offer in the way of anything remotely unique in the original world. Everyone are too busy copying and imitating. No wonder NJ has 2,435 cover bands in a ten-mile radius! But here’s another cold hard fact…

There are a ton of cover/tribute bands because at some point, every musician tried making it as an original artist. And realized “Wow this is tough” so they turn to covers. And guess what? People show up! People get drunk! You get paid! Everyone wins (just please don’t drink and drive…I am being serious here.) I help cover bands out because it is fun and can make a few bucks. For a brief period, I felt like I sold my soul. But since I’m still writing music, I am spared.

I’m not the wide-eyed dude who thinks his music will save the world anymore. I do hope to touch one person’s brain and heart with any song that I write. And to be fair, the local bands around here are doing better than I am as far as marketing, networking, writing familiar material, and all basically looking the same. Easier to digest. I’m the outlier, the black sheep, the one who is difficult to “get” at first. But then when someone does, their minds are torn wide open.

“I didn’t think you were that good, Bello.”

As Prince once said, “Chalk one up for the Kid…”

I’M AN ARTIST, DAMMIT! :)

I quite like this pic of me so deal with it 🙂

I used to take art classes in middle and high school. Putting pencil or charcoal to paper was something I enjoyed doing. But then teachers decided to tell me how to draw and the joy was taken out of it. I can still hear Sr. Virginia’s voice as I drew a cool picture of Deep Purple singer Ian Gillan: “You don’t have to draw every single tooth in his mouth, Mr. Bello!”

Even back then, people tried changing me. So it’s nothing new.

I was always under the impression that being an artist of some caliber meant not being chained to the Earth. You could drift off, whether with a pencil or a guitar, and be creative and free. Even Picasso once said something like everyone’s born an artist, please stay that way. But there’s this thing called society. It likes to beat the inner child out of you and turn you into a soulless being. You’re not living, you’re just existing to make others happy (and make them money).

So I turned my attention to being a guitarist and potential songwriter. But there’s this thing called OTHER PEOPLE who love to get in the way. People think they know my vision and how things should go. Long before I became an Ibanez endorser, I pounded the pavement like everyone else who had hopes and aspirations of being in magazines, on radio and television. But you see, I never followed the flock. I could never have the big booming Bon Jovi hair, or the pretentious tortured look like Alice In Chains. I was always…me. And people didn’t like that.

Your planet is strange.

People have perceptions and pre-conceived notions of what or who I should be. It makes them comfortable and easier to label me. A dude I went to high school with famously said to me “You don’t play like Eddie Van Halen…YOU SUCK!” He’s right, I didn’t play like Eddie. Nor did I suck. But he wanted me to sound like Eddie so he could pretend to identify with me. And well, I’m not good at giving people what they want.

Playing the clubs was another lesson in abnormal psychology. Lots of pretenders much like what I see today, but back then, there was hope of getting somewhere with original music. Was/is there a scene? Not really. New Jersey will never have a scene like Los Angeles, Seattle, England, Nashville. Why? Oh there’s LOTS of factors but I will let you think of the reasons.

One day I will opine and then see the pitchforks come after me.

When I was working on what became the LAYERS OF TIME album, the producer said to me as we were stuffing our faces with salads, “What you’re doing is art! It’s not just banging.” I stopped and asked “Art? Really?” He said “Yes, you’re doing something different than what’s around here.” THAT’S very true but…art?! And if I go backwards a few years, a photographer-friend told me after my debut Starland Ballroom gig that “You’re an artist, everyone else are just trying to be famous.”

I wanted fame too but glad it never happened. Save that for another blog.

So…art? All the years of being reprimanded for my perfectionism, the years of hearing “Nah I don’t like when you do that”…I was always creating something a bit deeper than the power chords or silly noises. Others have tried thwarting me for sticking my neck out because, ta-da, they can’t handle what I’m doing. You can’t slot me. I have heard nice things such as “You remind me of Steve Vai/Joe Satriani” or “I definitely hear Rush and Living Colour in what you do” but ultimately, nobody can really put their finger on me. Many have tried. Am I totally original? No. Am I unique? Yes. Am I what people want to hear? No.

That means I’m doing something right!

I’m an artist, dammit 🙂

OUT OF HIDING

Looks like Linus wants in on the action. He’s happy that I’m playing live again 🙂

I could be wrong.

Maybe he’s plotting something?

Anyway, very soon, I will be strapping a guitar around my torso and playing some gigs with a couple of cover bands. I am definitely excited! I always said that if I can play 1-2 gigs a month, then great. Now I have three over the course of two months.

I’m out of hiding…for now.

Tom from Blame It On The Girl sent me the set list for the two June shows yesterday, and in true Bello fashion, I went right to work. Most of the songs are embedded in my brain, so that’s cool. There are some new tunes that I have to learn, and that’s not a problem either. Definitely more country tunes than what I’m used to, but country guitar players can give rock players a good run for their money. The licks are quite cool! A lot of pop/Top 40 stuff, as to be expected, and of course some harder rock interspersed. Anyone who knows me, knows that I always deliver the goods. Never have to worry about me messing things up or disrespecting the material.

Though I like to sneak some weird shit from time to time 😉

Obviously I will not divulge what songs are on the list, as I prefer the element of surprise. Safe to say that there are songs way out of my wheelhouse, and that’s fine. A few are totally in my comfort zone. Gotta have that balance. (I will mention that one song is going to be “my jam”!)

And while the Supernova gig isn’t until August, it will be here before you know it. (So will Christmas…ugh!) Will there be any more dates between now and then? Got me! Again, element of surprise!!!

Now what about my own songs?

Well…what about them?

I’ve been writing, demoing, re-writing, throwing things out, pulling them from the trash…you know how I operate. One minute “This tune is great”, the next “Eh, just not grabbin’ me anymore.” And a week later, “Why did I get rid of that one?” The perplexing saga of being a creative type is real. I’m clearly nowhere near ready to find players and get to work. My heart is still reeling from the last cd. Feel like Rachmaninoff at times but soon those feelings will disappear. And maybe I can feel like Paganini again.

Sorry, Yngwie!

WHEN IT RAINS (IN A GOOD WAY…)

Almost forgot how to make a flyer!

When it rains, it pours. Sometimes in a good way!

Does the above image shock you? It certainly surprises me, and I created the damn thing! Been a long time since I did a list of “tour dates” (tongue firmly in cheek) so breathe this in, my friends!

You are all familiar with Supernova, as I’ve helped that band since December 2022 (!) with my first gig at Airport Pub. Since then, I’ve played with them at Black River Barn a few times, as well as Lentini Farms, Patrick’s Pub, Mason Street Grille, etc. So when bassist Tony Buono asked me today about “7-string sling(ing) on August 22 at Black River?”, I responded YES! Last time I played with them was January 3 at BRB. So this will be great to return and make some noise in a cramped space!

Now who’s this band called Blame It On The Girl?!

Well, a few may recall that I was helping a cover band called Naked Glory and a bassist who auditioned in 2022 was Tom Tsilionis. Since then, I played in one of his side projects Rock Hard, along with longtime friend Alana Quartuccio on vocals. Tom and Alana are in Blame It On The Girl (he started the band many years ago). Tom asked me soon after Tony did, about “Able to fill in for two shows in June?” and again I responded YES! This band does more party/dance rock so it will be a nice challenge and change of pace for me. They cover a wide range of artists from AC/DC to Amy Winehouse, and whatever else they feel like playing. Once Tom sends me the set list, I will get to work at home on the tunes. This will be exciting.

My debut sub gig with BIOTG will be at a private party on Saturday June 14, which works for me. And then a week later (Saturday June 21, first day of summer!) the band will be at…get ready…Zeppelin Beer Garden in Jersey City! I have to play a place called Zeppelin!! (Will Plant, Page and Jones show?)

So for now I have three dates, which is awesome. I always said I would be happy doing one-two shows a month, and now I have three spread out over two months.

Glad I stocked up on new Strings By Aurora, and the newest pedals I got will see sunlight.

Game on!

CHANGING MY MINDSET

New shirt but OG pedal from 1983

This blog is inspired by two people: my aunt, and my friend Rachel Logan. So in the words of David Brewster: “Buckle up, ‘cuz here we go!”

If I knew then what I know now…

Saw my aunt on Mother’s Day and we proceeded to talk about regular stuff like work, family, friends. We talked about the gig back in November and I said that since then, I’m more relaxed about things. Maybe TOO relaxed? I mentioned that I lost my drive and ambition. She told me that “having drive is over-rated” and that “(with) too much drive, you lose sight of why you want to be successful, which is to be happy”.

Are you paying attention, class?

She went on to say that it’s hard to enjoy success when you use up all that energy, and “time to stop and smell the roses”. WHEW! Yeah I wish I heard these words many years ago. I could have saved myself a lot of time, energy, and grief. But then again, when my wheels were spinning and my ego was on fire, I most likely wouldn’t have listened in the first place.

As for my friend Rachel, I pretty much spilled my guts about how it seems like no musician wants me around and all that. She told me that I said the same thing about five times…oops! I repeat myself because I don’t think people take me seriously, as well as not pay any attention to me in the first place. Rachel said to say things like “That situation is no longer a match” and “That’s no longer an avenue that’s right for me.”

Oh and she told me that stop beating myself up.

Now what do I do for fun?!

But seriously, hearing advice from these two people really opened my eyes to a lot. I have to change my mindset. It’s imperative. Time to do away with how I talk about myself, and how I perceive others. I’m definitely a quirky cat, and I embrace that very much. Whereas others are doing whatever to fit in, I was born to shine, to stand out.

I wear pink sneakers, for Pete’s sake!!!

Also have to learn to manifest better too. Having negative thoughts isn’t conducive, as the universe will not provide. Not at all.

Breathe deep…I got this!